In the anti-didactician movement that was his 1 , Lacan want his School to rest on two foundations from which hierarchy, the right of primogeniture as well as the race for diplomas would be exclud, namely the pass, and the cartel. In our quest for the way in which analytical knowlge, always full of holes, is construct, the latest issue of Hebdo Blog echo the very latest elaborations of the AE and those who accompany them in the evenings of the pass reading the cartel .
It is therefore logical that we
with a special issue, where Hebdo Blog and Cartello are coupl , as an invitation to produce, after reading, this very particular elaboration that emerges from the cartel, in the encounter between several singular accurate clean numbers list from frist database questions and the shock of the Lacanian text, provocative in the face of the hum of learn ignorance, revealing what seem, once grasp, to have always already been there. For “knowing something, isn’t it always something that happens in a flash?” 2
Echoing the last days of this bres perfectionists the ECF, “The object gaze”. Christian Chaverondier presents an analysis of the film Eyes wide shut, by Stanley Kubrick, releas on July 16, 1999. “Eyes wide shut”, translation of the title, fatally appli to the director, His wife’s revelations about the gaze of another
man who made her Other to herself, trigger in Bill the staging of his own fantasy. From now on, he is look at by this fantasy as if by an evil eye: You are not as good as the other man. Go and see: the author of the text betting email list opens our eyes wide to the fifty nuances of the gaze in the film.
Following the “flow” of pulsional objects. It is the voice that is put in the spotlight with Yannis Renaud’s text on Pascal Dusapin’s writing work. “In the continuous flow, the formation of the ges becomes an event,” as he says. Because it is a question of a body event – the flow – that the composer treats through writing. “The link is made between the letter, the body and enjoyment,” as the author says. Drawing his inspiration from a childhood trauma, Pascal Dusapin transforms the body event into a sinthome .